Paper

 Talk about feelings and Oil Landscape Painting Experience
Yu-Hua
Abstract: a landscape painter, the painting has accumulated rich experience, the real picture of their own feelings and thoughts to express the understanding of nature , recollections and understanding as to reach the beauty of the pursuit of the highest level. that the United States is the primary task of the artist, the artist's eye is sharp, and also has the penetrating power. painters face of nature, the appearance of things found in the intrinsic rhythm, rhythm in which the artist's inner world in the form of beauty. this article is to explore oil painting, landscape painting as a professional artist based courses mm to nature to and elegant aesthetic capabilities, training the painter understand nature, observe nature, induction of nature and performance of the natural ability to absorb the valuable experience of the traditional method of studying under mm painting courses with other irreplaceable significance.
Key words: sense of space, features, color forms, artistic realm, landscape painting, the king tractor, Levitan, Wang Wei.
Reference: Yang Qi, lecture notes, cited in Wang Qin paper > Instructor: Tsinghua University, Master of Fine Arts Painting Instructor king tractor.
Paper Centre: with Professor Wang Tieniu to other places in Liaoning Province painting landscape oil painting feel.
landscape painters painting to achieve the highest level of need pay a thousand times the artist's hard work. now a professor of Tsinghua University, tutor painting, the king tractor, he has 40 years experience in oil painting landscape painting, oil painting landscape painting to his rigorous composition, bright colors, bold strokes in a given period of time, the full transfer points, lines, different combinations of strokes in the form diverse, with strong color performance of well-being, but also the performance of the limited screen space to a huge emotional, especially when he works elegant gray tone, the images performed poetic, unique style, their own categories. to paint with him, will see him dancing pen gesture, then the strengths being his colorful language, refined place, giving a detached moved conquered the audience within moments, people immediately feel the richness of the screen and enjoy the splendor of nature, and more love life, cherish life, close to nature.
one can get more experience of art instructors to teach or to see to a painting demonstration, a lifetime of wealth
2007 benefit year October, the king tractor with the three of us tutor students in Liaoning Province and other areas to oil painting landscape. In Yingkou the beach, we found the beach in numerous Zuiwo Article old vessels, which in the eyes of ordinary people should have cleared away a pile of worthless waste, is to Professor Wang Tieniu are highly prized, he suddenly into the creative state, less than three hours to paint a vivid three painting paintings. Later, he heard next year when we should remove these wreck the night with local government officials suggested that: . mark and artistic wealth.
2009  2 months, instructors lead students to visit the king tractor another stone bridge, Liaoning Province painting landscape painting, and this is mainly paintings of snow. February is erratic, when the late winter and early spring handshake cross arm, although the advent of spring, the North still is the ice thousands of miles miles Piao, those fierce, tender, painful, beautiful, fresh, rotten, mixed with the fragrant spring flowers coming nostrils. The freezing ice-free season, the instructor insisted the king tractor paint is sick, he brought us another masterpiece of us do not listen to the frozen wrist has dominated the grip of ecstasy looking at the hands of instructors for the vivid writing brush , the students of the mind, emotions, life with the spring leaping, which gave us a gorgeous colorful nature of baptism, we feel a deep nerve.
Second, the king tractor oil painting landscape mood
Professor Wang Tieniu life experiences When the painting of nature, his transcendent moment of pure of mind, like a naive child, and suddenly he put himself into the natural, in fact he has entered the , he was both To emphasis on the performance of its inner spirit, which rely on inner experience, his own imagination, penetration to the internal images, then refine processing, through the beauty of nature, express your ideas, your application form, that is Your understanding of the language of painting. practice. In the outside world, whether in the mountains. , instructor tractor running in the northeast is the king, travels to the vast motherland, and feeling the land of his upbringing. Whether seasons, as long as the place where he walked the line, regardless of snow plains, country roads, barren Murano, Tsuchiya Township homes, and every time he portrayed as full of vigor of the landscape. In his writings, the wind shake the grass, the swaying branches, have shown great vitality, color screen as accurate grasp of temperature change, co-ordination. sun flowers air permeability, people smell the mountain atmosphere, the fragrance of vegetation. read Professor Wang Tieniu landscape painting, like listening to a beautiful melody after another, one song after another paean to life. It is enough to characterize the soul out of his dialogue with the native land with life and feeling raise their hometown.
Third, oil painting landscape art charm Levitan
great Russian landscape painter Levitan, he observed that natural way, is slightly melancholy eyes, he representative Art gives people a positive feeling: the golden birch, in the sunshine and vitality, with the breeze, the grass whispering canal side, the whole glorious picture, through these works, people came to realize an outstanding painter , serfdom in tsarist Russia, under the rule of the people deeply concerned about the fate of the suffering, and deep love for the motherland. No wonder the former Soviet Union during the Great Patriotic War, the Soviet soldiers in the trenches and Biography of landscapes Levitan later, moved to burst into tears, which stimulate the will to fight, swear to defend the motherland enhanced determination. This is the highlights of the sacred works of art and charm.
IV, Oil Landscape Painting Problems and Solutions
king tractor often said that art is the soul of the photo, only just touching, and sincere. I'm painting process, getting more and more oil painting landscape painting had some experience and feel that any artist is the original ecological scenery is difficult to avoid, if contempt for natural sketching, beginners who will be very very blind painting, paint a chaotic, neither the topic, and not moving, the main reason for this situation: First, perception is not observed with the natural heart; the second is the ability to grasp the basic principles of color is not enough; third painting basic shallow, resulting in not capable of controlling the screen. I also have had the experience, by following the instructor to the king tractor paint nature, learning to live together, I found the best way to solve these problems, we must start from the following points:
1, if you choose oil painting landscape painting, we must first hard-working, diligent, practice basic skills;
2, hard to understand and feel the images, carefully observe the scenery of the inner beauty, sentiment from the heart to the natural world the good properties;
3, see more ancient and modern masters, from understanding the precise color language expressions;
4, often to nature to paint, to enrich their inner world, to enhance cognitive ability and Perception;
5, to read widely and oil paintings on ancient and modern literature, philosophy, musicology, film and television science, drama and other books, the personal experience of import origins of the culture, as cultivation of their own higher realm of art.
said realm of art, I would like to talk about oil painting works, as soon as possible the experience of raising it to the highest level, this is my personal experience, not enough to be practical. First of all, observation is the primary factor in have not observed before, do not rush to write, the first observation, after thinking, and then think about the screen color, light, point, line, surface Carried. Practice has proved that, for a landscape to paint, we use four The second time quietly observing, try to figure out repeatedly in front of images, through the full deconstruction and analysis, after serious thought to the composition. Every time the king tractor paint supervisor to follow, according to the requirements of his operation, a blank canvas, not yet begun carrying What has been the heart of a painting on canvas vividly, and the remaining time is to master the painting techniques with their demonstrated. As a painter, to cultivate the unique powers of observation, this unique observation is very important, such as the scene in front of , what makes you excited, what makes you have a together, will whim, taste, feeling out the brush to write poetry. In the sketch, the advantage of good observation: sometimes a very common view, you will find passion for painting is worth.
five general rules of landscape painting and observation methods
1, oil painting landscape painting class features:
Oil Landscape Painting in practice, some belonging to outdoor painting landscape painting. He is different from Interior still life, figures and other sketches, but the two are complementary in practice, indoor still life, figure painting depicting the purpose is to master the simple method of training of the artist as composition, shape, color, space attainment painting exercises, from light into Deep in the basic training and in practice correctly understand and apply the theoretical knowledge learned painting, and then copying a number of foreign works of classical landscape painting; out painting landscape painting and interior painting biggest difference is that you can go out painting landscape painting Let the artist get a fresh and exciting experience, his paintings, full of passion. this kind of feeling and passion stay in the studio by simply difficult to obtain, it is a sincere individual with a strong emotional and aesthetic flavor of local life experience.
Oil Landscape Painting and interior still-life painter of the face require the careful observation of objective reality and reflection, a specific analysis of the images and choices, according to artistic needs through induction, organization, structure and performance of the language of the screen Overall summary and full of anger, to shape and color characterization and performance of the whole and the details of the various factors such as the harmony. full play to their initiative, active management screen, the use of light and color, light and dark, the visual rhythm and cadence, etc. language, give full play to subjective performance function, the objective understanding of images into a theme to express the feelings and emotions.
2, Oil Landscape Painting of set the tone for the problem.
king tractor instructors stressed that students often repeated: Therefore, the painter who paint the same scene, the picture shown is not the same, how do you express the scene and how to use their own feelings, the natural aesthetic of the performance of the screen, and then to the viewer empathize with you, is that you use color language skills. the degree of depth perception of nature, depends on the mood of a person's depth of experience that level. So many painters paint the same after a scene, does not appear to create the same work, for every mood the embodiment of personal inner thoughts, combined with the artist to express the feelings of nature, performance techniques, there are also individual differences. focus on light and color oil painting landscape, toned Dingzhun, colors must be accurate, to avoid repeated tracing, preventing unimaginative, as far as possible to be coherent, transparent and always maintain a sense of the picture, do not waste time. because of the light perspective, probably in a few minutes, or seconds will affect the color of perspective, disrupt your initial conception, subtle changes in color and make your what to do. For example, we sketch in the autumn in time is after three in the afternoon, this time to change the natural color difference is very large, and this time the color, light, shadow, light and shade are the best time. If we each link is not the right way by painting operations, the painting will be chaotic, the color is not bright, the picture is not vivid, so the view into the artist's landscape is one of the most basic way to set the tone for the problem.
3, a refinement of art
nature has given us the scene as the United States, so we use to read the nature of life and mood in the painting in the refining and themes:
(1) Sometimes we will face a chaotic mountain woods, weeds , stoning and so no write, then, should be to identify the general features, and its appropriate to be classified, and sometimes the unity of form, sometimes a combination of color, should be analyzed according to the needs of the screen to grasp ;
(2) the face of hue and color images are very close to the scene, such as the ridge height of summer, it seems as an eyeful of green, this time the painting, we must pay attention to the delicate relationship between the green, bad master will make the screen flat, drab.
4, the screen stroke technique is the We are in the process of the painting brush to clean and decisive, forceful bold, smooth writing, be clear and decisive brush strokes, started to write to a row of scales, as the music gives people the joy of beauty. To achieve this level, first of all learn to be good at large warm in contrast filled with appropriate colors, do not underestimate this little color contrast, if local, will make a loud dull picture live together. landscape layout in black and white gray, or color blocks changes in surface heating and cooling, but also the composition or the physical screen, these are likely to make the screen a living together with the tutor the king tractor paint, style all in person, so I observe, realize a lot of painting in the concept of truth: the real purpose of painting is not to reflect the visible tangible objects, but rather the change of the perception of existence . the aesthetic categories into to continuously improve the ability to control the screen, to keep perfect picture. through several generations with the painting instructor, so my experience is more profound, in the process of oil painting, learn the following elements: one is a sketch of the initial observation, observation have feelings and discoveries; Second, experience, ideas and artistic accomplishments of the intervention; third is the object of observation to have choice, choose a good theme and foil, only art from life than the inevitable life; fourth is not a static view to act, but a dynamic experience; Fifth, the observation of nature and description, and into the watch, watch the power of the so-called perspective and insight.
said the last, I thank my mentor king tractor, why he was so skilled master of history painting appropriately, depending on his faith after a half-century exploration of the arts and become only a few prominent historical paintings and panorama creation of an outstanding painter, because the reason. My mentor king tractor, said his students often face painting of nature should pay attention to the natural experience and performance, attention in the simply the pursuit of refining the art of language performance of depth. combination of subject and object, is both understanding and summary of painting, is exactly the most exact definition of landscape painting.
2009  4  15  Tsinghua University
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